教員要覧

舘美貴子

舘美貴子 (タチミキコ)

  • 国際言語文化学コース
  • 英語圏文化専修、超域文化専修
  • tachi@chiba-u.jp
  • 電話番号: 非公開
  • 研究者総覧researchmap:

略歴

1998年 東京大学教養学部卒
2003年 米国ブラウン大学大学院アメリカ文化学部博士課程ABD
2004年 東京大学大学院総合文化研究科助手
2005年 千葉大学文学部国際言語文化学科講師
2007年 同准教授
2009年 ブラウン大学よりPh.D.授与される
2017年 千葉大学大学院人文科学研究院准教授
2020年 同教授

研究内容

アメリカ文化論・文化史を専門としており、特に第二次世界大戦後の大衆文化と社会運動の相関について、ポピュラー音楽やフォークソングを中心に研究している。これまでに焦点を当ててきたのは、フォーク・リヴァイヴァルと呼ばれる民謡復興運動であり、国内外の専門家、音楽家、観客などの様々な受容者の思想を分析することにより、音楽ジャンルの定義が交渉され変容される様相を明らかにした。近年では、冷戦期の文化外交政策と社会運動における音楽の役割とその相関、カントリー音楽と保守派の社会運動との関係、現代アメリカの政治文化における音楽の役割などに関する研究を行ってきている。

授業内容

文学部の授業では、映像や音楽を利用して戦後アメリカ文化史を概説する「アメリカ文化論」、大統領選などの時事問題から現代アメリカの政治文化を解説する「アメリカ現代文化論」、テーマごとにアメリカ文化を学ぶ「アメリカ文化論演習」、アメリカのポピュラー音楽史を英語で学ぶ「芸術メディア論演習」、アメリカ文化論の基礎を概説する「英語圏文化論基礎b」を担当している。

主要な所属学会

American Studies Association(米国アメリカ学会)、アメリカ学会

主要な研究業績

分担執筆(著書)

  • 「フォークソングと社会運動」遠藤泰生, 小田悠生編著『はじめて学ぶアメリカの歴史と文化』(ミネルヴァ書房、2023年): 248-252。
  • 「音楽とエスニシティ」アメリカ学会編『アメリカ文化事典』(丸善出版、2018年), 700-701.
  • “Bob Dylan’s Reception in Japan, 1960s-1970s,” in Highway 61 Revisited: Bob Dylan’s Road from Minnesota to the World, eds. Colleen J. Sheehy and Thomas Swiss (Minneapolis: University of Minnesota Press, 2009), 106-121.
  • コラム「アメリカの国歌」,「宗教の分類から見るアメリカ社会」,「大学入学から卒業まで」,「グレーハウンドとアムトラック」,小田隆裕,柏木博,巽孝之,能登路雅子,松尾弌之,吉見俊哉編『事典 現代のアメリカ』(東京:大修館書店、2004年):224, 356-357, 447, 757。

論文

  • “Music and the Culture Wars in the 1970s and 1980s U.S.” The IAFOR International Conference on Arts & Humanities – Hawaii 2024 Official Conference Proceedings (2024): 449-457.
  • “White Identity Politics and Country Music in the Mid-Twentieth Century U.S.” 『千葉大学人文研究』52 (2023): 113-135.
  • “The Pedagogical Use of Music in the Political Movement of Evangelicals in the United States,” Proceedings of the 20th International Conference on Education (2022): 336-352.
  • “The Pedagogical Use of American Popular Music in Post-WWII Japan,” Proceedings of the 19th International Conference on Education (2021): 998-1011.
  • “Country Music and Presidential Politics in the Contemporary United States,” Proceedings of the 17th Hawaii International Conference on Arts and Humanities (2019), 360-387.
  • “Cowboys, Rednecks, and Bluebloods: Domesticating Country Music in Japan,” Proceedings of the 14th Hawaii International Conference on Arts and Humanities (2016), 451-472.
  • "Singing Ambassadors: The Role of Folk Singers in U.S. Cultural Diplomacy during the Cold War." Proceedings of the 13th Hawaii International Conference on Arts and Humanities (2015), 233-252.
  • “Ivy Fashion, Folk Music and the Japanese Perception of American College Culture in the 1960s.” The Australasian Journal of Popular Culture 2-3 (2013), 439-456.
  • “Music and Social Movements in the United States.” Proceedings of the 11th Hawaii International Conference on Arts and Humanities (2013), 1018-1033.
  • “The Cold War and U.S. Popular Culture Abroad: The Reception of American Television Programs in Japan.” Proceedings of the 8th Hawaii International Conference on Arts and Humanities (2010), 46-63.
  • “The Reception of American Folk Singers in the Underground Folk Music Scene in Japan in the late 1960s,” Proceedings of the 7th Hawaii International Conference on Arts and Humanities (2009), 3018-3042.
  • “Academic, Political, and Cultural Crossroads: A Study of the Folk Music Scene at Cornell University in the 1950s.” Proceedings of the 4th Hawaii International Conference on Arts and Humanities (2006): 5956-5976.
  • “‘A Thousand Songs’: A Study of the Folk Process and Continuity in a Folk Music Community in Ithaca, New York.” ODYSSEUS 9 (2004): 70-88.
  • “Commercialism, Counterculture, and the Folk Music Revival: A Study of Sing Out! Magazine, 1950-1967,” The Japanese Journal of American Studies 15 (2004): 187-211.
  • “American Advertising, Japanese Advertising: A Cross-Cultural Study Beyond Cultural Essentialism.” Proceedings of the 2nd Hawaii International Conference on Arts and Humanities (2004): 6145-6155.

学位論文

  • “The Folk Music Revival Then and Now: Politics, Commercialism, and Authenticity in Folk Music Communities in the U.S. and Japan.” Ph.D. diss. Brown University, 2009.

国際学会発表

  • “Music and the Culture Wars in the 1970s and 1980s U.S.” The IAFOR International Conference on Arts & Humanities in Hawaii, Live-Stream Presentation via Zoom, January 2024.
  • “Negotiating Solidarity and Love: Folksingers’ Alliance with Labor and Peace Movements in the U.S. and Japan.” American Studies Association Annual Meeting, Montreal, Canada, November 2023.
  • “Negotiating Conservatism through Music: A Comparative Analysis of U.S. and Japanese Singer-songwriters during the ‘Me Decade,’” Popular Culture Association Conference, San Antonio, Texas, USA, April 2023.
  • “Conservative Revolt and Creative Resistance: A Transpacific Analysis of American and Japanese Folk Musicians in the 1970s,” American Studies Association Annual Meeting (Virtual Meeting), October 2021.
  • “The Pedagogical Use of American Popular Music in Post-WWII Japan,” 19th Hawaii International Conference on Education (Virtual Conference), January 2021.
  • “Country Music and Conservative Politics in the United States,” 18th Hawaii International Conference on Arts and Humanities, Honolulu, Hawaii, USA, January 2020.
  • “Build As We Sing: Trans-Pacific Interpretations of the Music of the War on Terror,” American Studies Association Annual Meeting, Honolulu, Hawaii, USA, November 2019.
  • “Gender and Politics in American Country Music: The Reception of Country Musicians in the U.S. and Japan in the 1970s and 1980s,” 10th Annual Conference, Popular Culture Association of Australia and New Zealand, RMIT University, Melbourne, Australia, July 2019.
  • “Country Music and Presidential Politics in the Contemporary United States,” 17th Hawaii International Conference on Arts and Humanities, Honolulu, Hawaii, USA, January 2019.
  • “The Emerging Women: The Reception of American Female Country Singers in Japan,” American Studies Association Annual Meeting, Atlanta, Georgia, USA, November 2018.
  • “American Country and Folk Music as Pedagogical Tools of Dissent in Japan in the 1950s and the 1960s,” American Studies Association Annual Meeting, Chicago, Illinois, USA, November 2017.
  • “Borrowed Nostalgia: The Japanese Reception of American Home in Country Music.” American Studies Association Annual Meeting, November 2016, Denver, Colorado, USA.
  • “Cowboys, Rednecks, and Bluebloods: Domesticating Country Music in Japan.” 14th Hawaii International Conference on Arts and Humanities, January 2016, Honolulu, Hawaii, USA.
  • “Translating Misery and Resistance: The Reception of Country Music in Post-WWII Japan.” American Studies Association Annual Meeting, October 2015, Toronto, Canada.
  • "Singing Ambassadors: The Role of American Folk Singers in U.S. Cultural Diplomacy during the Cold War." 13th Hawaii International Conference on Arts and Humanities, January 2015, Honolulu, Hawaii, USA.
  • “Music and Social Movements in the United States.” 11th Hawaii International Conference on Arts and Humanities, January 2013, Honolulu, Hawaii, USA.
  • “Folk Music and the Racial Imaginary in the U.S. and Japan.” American Studies Association Annual Meeting, November 2012, San Juan, Puerto Rico.
  • “The Ivy Fashion, Folk Music, and the Japanese Imagination of America in the 1960s.” Asian Studies Conference Japan, July 2012, Rikkyo University, Tokyo, Japan.
  • “Guitars and Brooks Brothers: The ‘Ivy’ Fashion and the Representation of American Collegiate Culture in Japan during the 1960s.” East Asian Popular Culture Association Inaugural Conference, September 2011, Taipei, Taiwan.
  • “Teaching American Popular Culture to Japanese College Students.” Popular Culture Association Finland Summer School, August 2011, Turku, Finland.
  • “The Reception of U.S. Cultural Diplomacy in Japan during the Cold War,” American Studies Association Annual Meeting, November 2010, San Antonio, Texas, USA.
  • “The Cold War and U.S. Popular Culture Abroad: The Reception of American Television Programs in Japan.” 8th Hawaii International Conference on Arts and Humanities, January 2010, Honolulu, Hawaii, U.S.A.
  • “Artists and Civic Responsibilities: American and Japanese Folk Singers’ Concepts of Music and Politics.” 2009 American Studies Association Annual Meeting, November 2009, Washington, D.C., U.S.A.
  • “Japanese Baby Boomers’ Reception of American Sit-Coms in the 1960s and Today.” Popular Culture Association and American Culture Association International Conference, July 2009, Turku, Finland.
  • “The Reception of American Folk Singers in the Underground Folk Music Scene in Japan in the late 1960s.” 7th Hawaii International Conference on Arts and Humanities, January 2009, Honolulu, Hawaii, U.S.A.
  • “Transpacific Crossroads of American Folk Music: The U.S. and Japanese Constructions of Folk and Otherness.” 2008 American Studies Association Annual Meeting, October 2008, Albuquerque, New Mexico, U.S.A.
  • “Bob Dylan’s Reception in Japan, 1960s-1970s.” Highway 61 Revisited: Dylan’s Road from Minnesota to the World: Bob Dylan Symposium. March 2007. Weisman Art Museum, University of Minnesota, Minneapolis, Minnesota, U.S.A. [invited plenary session paper]
  • “Localizing Protest Songs: American Folk and Topical Songs in Japan in the 1960s and the 1970s.” 2006 American Studies Association Annual Meeting, October 2006, Oakland, CA, USA.
  • “Academic, Political, and Cultural Crossroads: A Study of the Folk Music Scene at Cornell University in the 1950s.” 4th Hawaii International Conference on Arts and Humanities, January 2006, Honolulu, Hawaii, U.S.A.
  • “Music for the Dissenters: The Early Days of the Cornell Folk Song Club and Grassroots Resistance to American Culture in the 1950s.” 2005 American Studies Association Annual Meeting, November 2005, Washington D.C., USA.
  • “Representations of American Folk Music in Japan: A Study of Heibon Punch Magazine, 1964-1970.” International Popular Culture Association Conference, August 2005, Swansea, Wales, U.K.
  • “American Folk Music in Japan: Crossing Cultures and Reconstructing Authenticity, 1960-1970.” 2004 American Studies Association Annual Meeting, November 2004, Atlanta, Georgia, U.S.A.
  • “Folk Music as a Site of Cultural Negotiation: A Study of the Folk Community in Ithaca, New York, 1950 to the Present.” Japanese Association for American Studies, June 2004, Tokyo, Japan.
  • “Japanese Advertising, American Advertising: A Cross-Cultural Study Beyond Cultural Essentialism.” 2nd Hawaii International Conference on Arts and Humanities, January 2004, Honolulu, Hawaii, U.S.A.
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